Brass
Showing 11–20 of 125 results
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$20.00Battle Pavane
Composer: Susato, TielmanArranger: Gray, JimEnsemble: Brass QuintetGenre: RenaissanceGrade: 3Duration: 3Model: BB-BQ870111Great set opener from one of renaissance Italy's most prolific composers. Arranged by Jim Gray, edited by Mike Allen. This arrangement is part of our Boulder Brass Signature Series. -
$30.00
Beata es, Virgo Maria
Composer: Gabrieli, GiovanniArranger: Olson, GaryEnsemble: Brass SextetGenre: RenaissanceGrade: 4Duration: 3Model: DB-CAN0150Giovanni Gabrieli was probably born in 1556. His parents are unknown as is his place of birth. His prominent uncle, Andrea, recognized Giovanni’s unusual talent when he was quite young and carefully prepared him for a career as organist and composer. It was through his uncle and through Orlando di... -
$36.00
Benedictus es Dominus
Composer: Gabrieli, GiovanniArranger: Bishop, AndrewEnsemble: Brass OctetGenre: RenaissanceGrade: 4Duration: 4.5Model: AOS918The music of Giovanni Gabrieli (ca. 1555-1612) has become a staple in the repertoire for modern brass musicians/ensembles. Most are familiar with his popular collections: Sacrae Symphoniae I, published in 1597, and Sacrae Symphoniae II, published posthumously in 1615. Both of these collections include works for different sized vocal and... -
$30.00
Blessed Are All They That Fear the Lord
Composer: Gibbons, OrlandoArranger: Frasier, JaneEnsemble: Brass SextetGenre: RenaissanceGrade: 4Duration: 3Model: AOS1259Blessed are all they that fear the Lord, is a verse anthem in which Gibbons uses the textural contrasts at the heart of the genre to create forward musical momentum. Typically a 17th Century verse anthem tended to alternate solo and tutti passages. Gibbons, who was key to the invention... -
$16.00
Bransle Quatre Bransles
Composer: Susato, TielmanArranger: O'Hara, ChrisEnsemble: Brass QuintetGenre: RenaissanceGrade: 4Duration: 1.5Model: AOS773"Bransle Quatre Bransles" is a composition by Flemish composer Tielman Susato. Susato is best known for his works in dance forms and contributions to music publishing. B♭ and C trumpet parts are provided.This arrangement is part of our Chris O'Hara Signature Series. Chris O’Hara is an renowned trumpet soloist,... -
$30.00
Buccinate in Neomenia Tuba
Composer: Croce, GiovanniArranger: Frasier, JaneEnsemble: Brass OctetGenre: RenaissanceGrade: 3Duration: 3Model: AOS1795Blow the trumpet when the moon is new, at the sign of your solemn feast day. Alleluia. With a voice of rejoicing, with the sound of the trumpet, rejoice in the Lord our help. Alleluia. Let us rejoice/Rejoice in God with strings and organ, with drum and in chorus. Sing... -
$30.00
Buccinate in neomenia tuba
Composer: Croce, GiovanniArranger: Frasier, JaneEnsemble: Brass OctetGenre: Motet, RenaissanceGrade: 4Duration: 2.5Model: AOS1960Buccinate in neomenia tuba is a sacred motet by Venetian composer Giovanni Croce (c.1557–1609), a member of St. Mark’s Basilica and a contemporary of Giovanni Gabrieli. The Latin text comes from Psalm 81 (“Blow the trumpet at the new moon”) and reflects the liturgical traditions of late-Renaissance Venice, where ceremonial... -
$34.00
Callino Casturame
Composer: Byrd, WilliamArranger: Allen, MichaelEnsemble: Brass EnsembleGenre: RenaissanceGrade: 4Duration: 2Model: BB-BE040203Arranged by Michael Allen from the Fitzwilliam Virginal Book for brass ensemble. Recorded by the Boulder Brass on Dorian 93204 - Bolder Baroque. For 8 piece brass ensemble and percussion -
$18.00
Cantate Domino
Composer: Pitoni, GuiseppeArranger: Frasier, JaneEnsemble: Brass QuartetGenre: RenaissanceGrade: 3Duration: 2Model: AOS728"Cantate Domino", for Brass Quartet -
$22.00
Cantate Domino
Composer: Hassler, Hans LeoArranger: Belden, George R. and Donald C. LittleEnsemble: Brass QuintetGenre: RenaissanceGrade: 3Duration: 2Model: DBP0123Cantate Domino (Sing To The Lord A New Song) features two lengthy polyphonic sections in duple meter separated by a short homophonic section in triple meter. Each polyphonic section contains several phrases which begin with strict imitation and evolve into free counterpoint. These points of imitation need to be set...
